Bridge Cultures

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Jeremy Crosmer

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From Afar: Quartets by Grigoriu, Smetana, and More / October 26, 2025

Kerrytown Concert House 415 N 4th Ave, Ann Arbor

Join the American Romanian Festival for an intimate chamber music evening featuring Detroit Symphony Orchestra musicians. From Afar: Quartets by Grigoriu, Smetana, and More offers a unique blend of tradition and innovation, including Ionica Pop’s new commission Impresii din România, Theodor Grigoriu’s folk-inspired On the River Argeș, Ciprian Porumbescu’s Ballad arranged for string quartet, and Bedřich Smetana’s evocative String Quartet in E Minor, “From My Life.” Experience music that bridges cultures with heartfelt nostalgia and bold expression.

From Afar: Romanian Musical Colors / October 25, 2025

Steinway Piano Gallery Detroit 2700 E West Maple Rd, Commerce Charter Twp

Join the American Romanian Festival for Romanian Musical Colors, an intimate chamber music concert with Detroit Symphony Orchestra musicians. The program features Ionica Pop’s Impresii din România, Theodor Grigoriu’s On the River Argeș, Ciprian Porumbescu’s Ballad, and Ion Dumitrescu’s String Quartet in C Major No.1.

Into the Shadows / January 31, 2025

Kerrytown Concert House 415 N 4th Ave, Ann Arbor

The American Romanian Festival celebrates its 20th-anniversary season with an evening of works centered around the subject of death. The recently commissioned piece by Ionica Pop, Remembering Ţăranu, employs a twelve-tone row, which also serves as a musical cryptogram to honor the recently deceased Romanian composer Cornel Ţăranu. George Crumb’s reaction to the horrors of the Vietnam War is expressed through his threnody, Black Angels. The work is structured around the numbers 13 and 7, numerals often related to fate and destiny, and several tonal musical quotations can be found throughout the piece, including snippets from our next work on the program, Schubert’s “Death and the Maiden” string quartet. Written in 1824, Schubert’s “Death and the Maiden” was the composer’s coming to terms with his long-term illness and impending death, and has been called “one of the pillars of the chamber music repertoire.”