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DTSTART;TZID=America/Detroit:20241019T140000
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DTSTAMP:20260604T214911
CREATED:20240905T001053Z
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UID:2499-1729346400-1729346400@americanromanianfestival.org
SUMMARY:Consonance vs Dissonance / October 19\, 2024
DESCRIPTION:[vc_row][vc_column][vc_column_text css=””] \nConsonance vs. Dissonance—Bentoiu & Mozart String Quartets\nChamber Music Concert\nSaturday\, October 19\, 2024 / 2 p.m.\nSteinway Piano Gallery Detroit\, 2700 E. West Maple Road\, Commerce Charter Township\, MI 48390 \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column]buy tickets[vc_empty_space height=”25px”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]General Admission: $25\nStudents (through undergraduate with ID): $10 \nMozart’s String Quartet No. 19 in C Major\, K. 465\, is nicknamed “Dissonance” due to the unusual\, dissonant counterpoint found in its slow introduction. It is perhaps the most famous of his quartets. The 22-bar Adagio opens with quiet eighth-note Cs in the cello. The viola then joins on A-flat and the second violin on E-flat. The first dissonance is created once the first violin enters on an A\, thus creating tension between the A-flat and A that will be a recurring feature in the entire quartet. This introduction presents the major ideas that will recur throughout the piece. Almost two hundred years later\, Romanian composer Pascal Bentoiu’s String Quartet No. 2\, “Consonance\,” is an example of very tonal music in an age when dissonance is taken to exaggerated levels and reigns in much music of the time. Bentoiu believed that perhaps the consonant chords in his work will provoke the same unpleasantness as Mozart’s dissonant chords did in his String Quartet No. 19. \n[/vc_column_text][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner width=”1/4″][vc_column_text css=””] \nArtists\nSujin Lim\, violin\nMarian Tanau\, violin\nMike Chen\, viola\nJeremy Crosmer\, cello\nPompilian Tofilescu\, poet[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”1347″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://americanromanianfestival.org/project/sujin-lim/”][vc_single_image image=”1657″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”http://americanromanianfestival.org/project/marian-tanau/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”1661″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”http://americanromanianfestival.org/project/michael-chen/”][vc_single_image image=”1350″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”http://americanromanianfestival.org/project/jeremy-crosmer/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”2599″ img_size=”medium” alignment=”center” onclick=”custom_link” css=”” link=”https://americanromanianfestival.org/project/pompilian-tofilescu/”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_column_text css=””] \nConcert Program\nPoetry Reading with Pompilian Tofilescu \nPascal Bentoiu (1927–2016)\nString Quartet No. 2\, “Consonance\,” Op. 19\nI. Adagio—Allegretto\nII. Giusto\nIII. Larghetto\nIV. Allegro molto moderato \nINTERMISSION \nWolfgang Amadeus Mozart (1756–1791)\nString Quartet No. 19 in C Major\, “Dissonance\,” K. 465\nI. Adagio—Allegro\nII. Andante cantabile\nIII. Menuetto and Trio. Allegro\nIV. Allegro molto \n[/vc_column_text][/vc_column][/vc_row][vc_column][vc_separator][/vc_column][vc_row][vc_column][/vc_column][/vc_row]
URL:https://americanromanianfestival.org/event/consonance-vs-dissonance-october-19-2024/
LOCATION:Steinway Piano Gallery Detroit\, 2700 E West Maple Rd\, Commerce Charter Twp\, MI\, United States
CATEGORIES:2024/25 American Romanian Festival,American Romanian Festival Events
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