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DTSTART;TZID=America/Detroit:20151004T150000
DTEND;TZID=America/Detroit:20151004T170000
DTSTAMP:20260612T121605
CREATED:20150820T221716Z
LAST-MODIFIED:20181128T175944Z
UID:877-1443970800-1443978000@americanromanianfestival.org
SUMMARY:Black Angels\, Chamber Concert at Wayne State University\, October 4\, 2015
DESCRIPTION:Black Angels\nChamber Music Concert\nSunday\, October 4\, 2015\, 3:00 p.m.\nSchaver Recital Hall\, Wayne State University\, 480 W Hancock St\, Detroit\, MI 48201\n \nFree Admission\nThe 2015 American Romanian Festival marks the Festival’s 10 Year Anniversary. Help celebrate the occasion by joining us at Wayne State University\, October 4\, 2015\, for the chamber music concert “Black Angels. The performance begins with Crumb’s electric “Black Angels” String Quartet\, conceived as a parable on our troubled contemporary world. Then\, experience the soulful sounds of Porumbescu’s masterpiece\, Ballad for Violin and Piano. The evening concludes with the adventerous sounds of Brahms’s Piano Quintet in f minor\, Op. 34. \n\nThings were turned upside down. There were terrifying things in the air. … They found their way into “Black Angels.”\nThe work portrays a voyage of the soul. The three stages of this voyage are Departure (fall from grace)\, Absence (spiritual annihilation)\, and Return (redemption). \nThe numerological symbolism of “Black Angels\,” while perhaps not immediately perceptible to the ear\, is nonetheless quite faithfully reflected in the musical structure. These ‘magical’ relationships are variously expressed\, e.g.\, in terms of length\, groupings of single tones\, durations\, patterns of repetition\, etc. … There are several allusions to tonal music: a quotation from Schubert’s “Death and the Maiden: quartet\, an original ‘Sarabanda\,’ the sustained B-major tonality of ‘God-music\,’ and several references to the Latin sequence ‘Dies irae’ (Day of Wrath). The work abounds in conventional musical symbolisms such as the ‘Diabolus in musica’ (the interval of the tritone) and the ‘Trillo del diavolo’ (the Devil’s Trill\, after Tartini). \n—George Crumb \n\n[vc_row][vc_column width=”1/1″][vc_row_inner][vc_column_inner width=”1/6″][vc_column_text] \nArtists\nMarian Tănău\, violin\nSheryl Hwangbo\, violin\nHeidi Han\, violin\nWill Haapaniemi\, viola\nDavid LeDoux\, cello\nRobert Conway\, piano[/vc_column_text][/vc_column_inner][vc_column_inner width=”5/6″][vc_column_text][/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row] \n\nConcert Program\nGeorge Crumb (b. 1929)\n“Black Angels” String Quartet (1970)\nI. Departure\n1. THRENODY I: Night of the Electric Insects\,\n2. Sounds of Bones and Flutes\n3. Lost Bells\n4. Devil-music\n5. Danse Macabre (Duo alternativo: Dies Irae)\nII. Absence\n6. Pavana Lachrymae (Der Tod und das Mädchen) (Solo obbligato: Insect Sounds)\n7. THRENODY II: BLACK ANGELS!\n8. Sarabanda de la Muerte Oscura (Solo obbligato: Insect Sounds)\n9. Lost Bells (Echo) (Duo alternativo: Sounds of Bones and Flutes)\nIII. Return\n10. [Solo: Aria accompagnata] God-music\n11. Ancient Voices\n12. Ancient Voices (Echo)\n13. THRENODY III: Night of the Electric Insects \n– INTERMISSION – \nJohannes Brahms (1833-1897)\nPiano Quintet in f minor\, Op. 34 (1864)\nI. Allegro non troppo\nII. Andante\, un poco adagio\nIII. Scherzo: Allegro\nIV. Finale: Poco sostenuto – Allegro non troppo – Presto\, non troppo \n\nSponsors\n[dt_logos columns=”4″ dividers=”true” number=”12″ orderby=”date” order=”desc” animation=”none” category=”2015-sponsors”]
URL:https://americanromanianfestival.org/event/black-angels-chamber-concert-october-4-2015/
LOCATION:Schaver Recital Hall\, Wayne State University\, 480 W Hancock St\, Detroit\, MI\, 48201\, United States
CATEGORIES:2015 American Romanian Festival,2015 Concert Series,American Romanian Festival Events
ATTACH;FMTTYPE=image/png:https://americanromanianfestival.org/wp-content/uploads/2015/08/black-angels-chamber-concert-2.png
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